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・ Carolyn M. Heighway
・ Carolyn M. West
・ Carolyn MacCuish
・ Carolyn Mackenzie
・ Carolyn Mackler
・ Carolyn Brown (newsreader)
・ Carolyn Brown Mosby
・ Carolyn Browne
・ Carolyn Bunny Welsh
・ Carolyn Burke
・ Carolyn Burton
・ Carolyn Carlson
・ Carolyn Cassady
・ Carolyn Cheeks Kilpatrick
・ Carolyn Chiechi
Carolyn Christov-Bakargiev
・ Carolyn Chute
・ Carolyn Clark
・ Carolyn Cohen
・ Carolyn Cole
・ Carolyn Coleman
・ Carolyn Collette
・ Carolyn Colvin
・ Carolyn Coman
・ Carolyn Comitta
・ Carolyn Conn Moore
・ Carolyn Connors
・ Carolyn Conwell
・ Carolyn Cooke
・ Carolyn Cooper


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Carolyn Christov-Bakargiev : ウィキペディア英語版
Carolyn Christov-Bakargiev

Carolyn Christov-Bakargiev (born December 2, 1957, in Ridgewood, New Jersey, US) is an American writer, art historian and curator. She was the Artistic Director of dOCUMENTA (13) which opened in Kassel on June 9, 2012. Previously, she was the director of the Museo di Arte Contemporanea di Torino at Castello di Rivoli in Turin until 2009, and chief curator of the same museum from 2002 to 2008. In October 2012 ArtReview magazine named her number one in their annual Power 100 list of the most influential figures in contemporary art.〔(ArtReview's Most Powerful People In Art World - Business Insider )〕 She is of Bulgarian-Italian descent. She is married to the Italian artist Cesare Pietroiusti and has two daughters.
==Family and early life==
Her mother was from Piedmont, Italy and her parents studied in Turin together in the mid-1950s. Her father had fled from Bulgaria after World War II and was a medical student in Turin; her mother studied Philosophy in Turin and later got a PhD in archeology. Her parents migrated to the United States in the late 1950s, where she was born.
She grew up partly in Washington DC. A dual American-Italian citizen, she returned to Europe after completing her Baccalaureate at a French lycée in Washington, and studied literature, philology, language, and art history at the University of Pisa, Italy. In 1981, she graduated ''summa cum laude'' presenting a thesis on the relationship between American painting and poetry of the 1950s—specifically on Frank O'Hara and his relations with the art of Abstract Expressionism.

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